a
poem is this city now,
50 miles from nowhere,
9:09 in the morning,
the taste of liquor and cigarettes,
no police, no lovers, walking the streets,
this poem, this city, closing its doors,
barricaded, almost empty,
mournful without tears, aging without pity,
the hardrock mountains,
the ocean like a lavender flame,
a moon destitute of greatness,
a small music from broken windows...
50 miles from nowhere,
9:09 in the morning,
the taste of liquor and cigarettes,
no police, no lovers, walking the streets,
this poem, this city, closing its doors,
barricaded, almost empty,
mournful without tears, aging without pity,
the hardrock mountains,
the ocean like a lavender flame,
a moon destitute of greatness,
a small music from broken windows...
- A Poem is a City, Charles Bukowski
This is a story about Rose.
It was 1986 that I met her, bumming my days down Skid Row, spending my
afternoons drinking in the cheap dimestore bars. The days bled into the nights,
back into the days, seamlessly, as fine as the movements of a surgeon’s hands,
as fine as death. Yes, I remember it as if it were yesterday, her small limpid
body, her eyes dark like two rusted coins plucked from the gutter, her hair the
brilliant red of cheap wine.
It was evening, and the bar felt like rain, though it was twenty-nine degrees
summer outside. I drank several piss-strength beers, tipping them back in the
dark hole of this place, which was frequented by various barflies, low-lives
and junkies, like a subterranean beast. ‘Barkeep?’ I said.
He shifted his towel over his shoulder as he stopped polishing the glass, the
gesture now an automatic routine, pointless, given the uncirculated air that
was thick with dust, like the inside of a tarred lung. ‘Another Miller?’ he
said.
‘No,’ I said, my head rattling with days of sleepless ache and semi-conscious
drunken stupor. I turned my eyes back down to the bar. ‘Just get me a scotch on
the rocks.’
He put it down in front of me. I looked at it, held it up to the toilet
water-coloured light, took a sip. It felt like sweet defeat. ‘Barkeep,’ I said,
‘what time is it?’
‘7.45,’ he said. ‘PM.’
I shrugged my shoulders in resignation, in protest, for no reason. ‘Thanks,’ I
said, raising my glass without looking at him. My notebook sat bare on the bar.
I was dry on ideas. The sun was now dwindling behind the buildings, setting
somewhere over Beverley Hills or over the ocean overlooking Venice Beach,
somewhere far away from all the dross and hopeless nullity of this city. I
heard the door open but remained fixed on my drink, contemplating the way the
brief sting of the liquor stirred up a brief pleasure, a little epiphany down
there in my gut.
She approached the bar, I could smell her cheap and oversickly perfume, and in
between drags of her cigarette she asked for a glass of red wine, her voice
dark and sweet and hoarse, then she sat a few stools down from me. ‘Starting a
little early, ain’t you?’ said the barkeep.
‘Fuck you,’ she said, the sound of defeat and indifference ringing through her
voice, intermixed with the slightest hint of dignity, like an old defeated dog
sick with being too often left at the mercy of the merciless, rain-sodden,
underfed and kicked down, to where pride was something unknowable, ineffable, a
miracle rather than a human given.
I sat fixed on my drink, and after a few seconds I could tell she was watching
me. ‘Hey,’ she said. ‘You look like a writer. Are you a writer?’
I didn’t respond. ‘Hey,’ she said, ‘I asked you a question. Are you a writer?’
After once again getting no response of me, she said, ‘Jesus, what pickled you,
eh? Bad day, is it?’
‘What makes you think you can talk to me like that, you skank whore bitch!’ I
said, not taking my eyes away from the bar, my voice angry and grizzled.
She sat there silent for a moment. ‘That’s very hurtful,’ she said.
‘Oh yeah?’ I said.
‘Yeah.’
I
turned my face away from the old scratched oak to look at her. She was wearing
a low-cut red dress, her legs shapely and full, riding up into a big glorious
ass, all woman. Her tits were hanging out almost, and in the faint sourmilk
light I could barely see her face. ‘Listen,’ I said, ‘you want a drink?’
She didn’t respond. ‘Listen, I’m sorry,’ I said. ‘You want a drink?’
‘Sure,’ she said.
‘You wanna move down here?’ I said. ‘I won’t bite.’
She moved down the bar, slowly shuffling in her heels, and sat beside me. ‘What
are you having?’ I said.
‘I got mine,’ she said.
‘No, what are you having?’ I said.
‘I got wine!’ she growled, sputtering slightly and clearing her voice. ‘But I
was right, wasn’t I? About you being a writer.’
I laughed to myself and took a sip of the scotch. ‘I guess you were. I’m kind
of a novelist.’
‘Kind of?’ she parroted.
‘Yeah. Well, I’m kind of in the middle of writing a novel.’
She nodded, seeming either curious or indifferent, or maybe neither, and went
to light a cigarette, offering me one. I took it, lit mine, and then she leaned
in and waited for me to light hers, her look mysterious. I cupped my hands
around the end of the cigarette, flicking the flint and setting off a spark. I
looked up above my hands into her eyes. They were green, dark green, like a
sickly garden, and her eyes returned my gaze. She took a drag, the cigarette
kindled into life, and I unpeeled my hands from the bright glow as the wisps of
smoke rose like lost souls into the dead air. ‘A novelist, eh?’ she said. ‘Not
some hot shot trying to pull one over my eyes, are ya?’
‘No,’ I said. 'I’m a writer.’
She sat there smiling. ‘So what’s it called, then, this novel?’
I thought about it briefly. ‘Factotum,’
I said, brushing my chin, as if to reaffirm in my own mind this lie.
‘Factotum, eh? Tell me, Mr Writer, what exactly does ‘factotum’ mean?’She leant
in towards me, her breasts like two small milky pearls secreted by the night.
I took a drag. ‘It means, ‘man of many jobs’.’
‘Oh,’ she said, ‘so it means ‘a bum’, right? A bum – is that right?’
‘Very good,’ I said, laughing gently.
She sat there biting her lip, then she took down a good mouthful of wine,
smiling at me. In the semi-drunken smokehaze of my mind I smiled back, my eyes
two tired slits, my lips dry.
‘Barkeep,’ I said, ‘two of your finest scotches, please!’
‘Oh, Mr Writer!’ she said. ‘You are a hot shot after all! You big shot,’ she
said, and I wasn’t sure whether she was teasing me or deriding me, as if she
knew some dark secret of mine immediately upon clocking me.
‘I guess I am a big shot,’ I said, as the barkeep poured the scotch down over
the ice. ‘When I can afford it.’ He was a bit tight-assed with the drinks, so I
said, ‘Hey, hey! I ordered some scotch with that fucking ice!’
He looked down his nose at me and shook his head, so I sneered back at him. He
didn’t look like he could duke for shit. Big fat feller, but he didn’t realise
I could be quick, and my small hands came in handy for sucker-punching the
kidneys. I’d take him out back and lay him one any time.
‘Here,’ I said, raising my glass, ‘here’s to – to –
‘Happiness?’ she offered.
‘And fucking!’ I said.
‘And writers!’ she said.
‘And tits and ass!’ I said.
‘And cock and balls!’ she said.
‘And endless nights of liquor and mornings full of warm glorious beer shits!’ I
said.
She almost fell off her stool with laughter, and I laughed fitfully and
hoarsely down into the bar. ‘So tell me, Mr Writer,’ she said, ‘you have a
name?’
‘Henry Cherkovski,’ I said. ‘But I prefer Hank. And you?’
‘I’m Rose,’ she said, ‘but you can call me Candy,’ she said, winking. ‘It’s
very nice to meet you, Hank,’ she said, reaching out a hand. I palmed it,
shaking it limply. I went in for a romantic kiss on the hand, fumbling at the
end in a spittled confusion of lips, growling like a randy drunkard for comic
effect, making her laugh once more.
When she’d composed herself she said, quite calmly, ‘I like you, Hank.’ And
then she leaned into me. ‘Do you wanna fuck me?’ she whispered into my ear.
‘Huh?’ she said, leaning back into her stool.
I thought about it briefly. ‘I’ll give you $20 if you show me your tits,
Candy,’ I said, turning back to the bar for my whiskey. ‘But I ain’t promising
much more than that,’ I said, smiling.
***
We made for my place, a little box room on Bunker
Hill, late in the evening, picking up two bottles of cheap red wine on the way.
We both smoked in the warm evening’s demise as we walked, her huddling at my
side, my arm craned around her, propping each other up like two drunken
statues.
We entered into my room around 1 am after much walking and I sat down on the
bed and took my shoes and socks off. Candy took off her jacket and brushed her
hair in the bathroom, before coming into my room and sitting at my desk in the
corner. She turned the chair around to face me, getting my attention. She sat
down and started carefully removing her heels, flexing her little feet as she
removed one, then removed the other. She stood up and gave me a coquettish look
as she hitched her skirt slightly, unbuckling her garter. She lit up a cigarette
and slowly removed her tights, flexing one naked leg into the air, then the
other, like each was a curious underground animal smelling the many
possibilities of the daylight. She sat down in the chair facing me and crossed
her legs, expecting me to break the silence.
I lay back on the bed with my arms resting behind my head. ‘What would fifty
dollars get me?’ I said.
‘For fifty you can have anything you like,’ she said, swiping her blouse to one
side playfully and reaching a hand down towards her cunt.
‘Fifty dollars? Hmm... why don’t we talk for a while?’ I said.
‘Talk? Don’t you wanna fuck me, Hank?’ she said.
‘Well, maybe,’ I said, ‘but I’d just like to talk for a while. Isn’t that a basic
service you provide all your valuable customers?’
‘What are you, Hank, queer?' she said.
‘No, baby. I just wanna talk,' I said.
‘Don’t call me baby, Hank. You don’t even know me,’ she said. ‘You ain’t gonna
cut me up into little pieces, are ya?
‘No! I just want to talk!’ I said, my voice somewhere between amusement and
frustration.
‘Fine,’ she said, and she came over and sat next to me.
We talked for hours. I told her about my father, how he used to whip me with
the razor strop in the bathroom of our bungalow on Mariposa Street when I cut
the grass incorrectly. How my mother never stuck up for me and how my father
beat her. About all the women I’d fucked, all my conquests, all my losses.
About the time I spent an evening in the slammer for trying and failing to
drunkenly assault a police officer. About my stories. About literature. She
told me about why she became a whore, opening up to me like a night rose
revealing its scent to the stars, like a child uncupping her hands to reveal a
small cream-coloured butterfly, or perhaps a little rainbow-spattered newt. She
told me about her father, too, and the things he used to do. And she told me
about her mother, how she’d never known her – how she’d never been to see her
grave. About her younger sister and her abusive relationship. And about heroin,
that nihilistic little resin that incites pleasure to riot and will to
oblivion. She told me that all she ever thought about was her next fuck, her
next fix, and her next drink – and how her next meal was the last thing on her
slate.
It was around 4 am now. We lay there on the sheet, like two soiled angels, two
seraphs hit hard times, and I thought about John Fante, Robinson Jeffers, Miller,
Celine – all the virtuoso writers of my youth, their words running strong and
clear and good like whiskey down into my soul. Virtuoso, I thought, as I lay there, smiling.
‘Baby, what you thinkin’?’ said Candy.
‘Oh, just about stuff. Nothin’,’ I said.
‘Baby, you’re a writer. Tell me, what’s your favourite word?’
I thought about it for a second, before the word filled my glass like a bottle
of rich strong pungent wine, slipping its way down my throat into that place
filled with the pleasures of the damned. ‘Virtuoso,’ I said.
‘Oh,’ she said. ‘What does that mean?’
‘It means it’s really good, baby. It’s really good.’
‘Oh,’ she said. ‘Virtuoso. Hmm.’ She snuggled in closer. ‘Wanna know – wanna
know what mine is?’ she said, tickling my stomach, playing with the navel, and
giggling with bated breath.
‘What is it? What’s your favourite word?’ I said.
‘It’s epigram. E-pi-gram,’ she said.
‘Know what that means?’ I said.
‘No,’ she said. ‘But it sounds very nice.’
‘Yeah,’ I agreed. ‘But I thought something like fornicate woulda better suited you.’
‘Hey!’ she said. ‘Don’t get smart with me, mister, you toilet mouth! I know you
think you’re some hotshot writer, but I can take you!’ She straddled me,
laughing.
‘Oh yeah?’
‘Yeah!’ she said. She leant down to kiss my lips, and I did not refuse. They
were gentle, puffy from years of bruised kissing. Her hand crept down my thigh.
‘Wait,’ I said.
‘What?’ she said.
‘I don’t wanna fuck,’ I said.
‘You don’t wanna fuck?’
‘Yeah,’ I said.
‘You don’t wanna fuck? Okay,’ she said. ‘Have it your way.’ She rolled back
down next to me, once again playing with my chest. ‘You’re a weird one, Hank,’
she said.
I thought about it. ‘I know,’ I said, and I leant in to kiss her. I turned her
on her side and massaged her shoulders and those big legs. ‘Let’s sleep.’
‘Okay,’ she said.
As I lay there, listening to her breathe, for some reason – I wasn’t in my
right frame of mind – I reached over a hand and played with her hair. She woke
up with a start and I thought she seemed fazed. ‘You okay, baby?’ I said.
‘Hey, Hank,’ she said.
‘Baby,’ I said, kissing her shoulder. ‘How about it?’
‘Oh, so now you wanna fuck me, huh?’ she said.
‘How much?’ I said.
She rolled over fitfully onto her side to look at me, looking restless. ‘Oh, I
dunno,’ she said, then she straddled me and said, ‘I guess I could just call
this a gift – claim it on my expenses... sound good to you?’ she said, laughing
quietly.
‘Oh, baby? A gift? You think I need a gift? Well, I never look a gift horse in
the mouth!’ I said.
She laughed hard, and so did I, but within a few seconds she’d stopped and was
looking at me searchingly. She leant over, her breath unsteady and stinking
sweetly of wine, her heart fluttering like a little caged bluebird, and she
kissed me, softly at first and then more deeply. I held her in my arms and
flipped her onto her back, my hand inching down towards her cunt. I fucked her
and she took it like a blade, like it was killing her. She moaned quietly, then
louder, looking up at me and smiling gently, her eyes big and full of passion
and fear and something else that I couldn't figure. I went down to kiss her
again before finishing in a rapturous white tide of exhaustion. I lay beside
her, holding her, and she snuggled into me.
‘Baby,’ I whispered quietly, ‘I think I love you.’
‘I know,’ she said. ‘I know.’
***
When I woke up she’d gone, and I never saw her
again. I got up and puked and then took a beer shit, my ass feeling like
habanero chillies had been boiling away in there for a few months.
For two weeks I asked around for Candy on Skid Row, but there were so many
girls that nobody could ever pin her down. I bummed around, worked odd jobs in
warehouses, drank the nights away and slept the days back into the despair and
bleakness of night, the numb jaw-ache of beer, wine and whiskey.
Several months later I heard she’d died from AIDS after contracting HIV from a
soiled needle. It was now 1987, but times never change in LA: the rich get
richer; the poor get poorer; the sick die, and their disease, poverty, is said
to be of their own making; the mean get meaner, and the wise get – well some of
‘em get wiser, but most piss away their lights in the dark holes of bars.
I’m sat in Mickey’s Bar and I’ve just
headed one of my stories. To One Hell of
a Dame, Whom the Night Could Never Hold, I scratch onto the top of the
page. I go home and print it on the typer, on my little piano, making music of
words and dreams of sentences. Little fragments, broken off the edges of life.
I put it in an envelope and send it in to Black
Sparrow Press.
I’ve found Rose’s grave and I’m going to see it tomorrow afternoon. I’ve bought
her a single red rose, and I’ve promised her in my heart that I won’t cry,
because I must be as brave as she was. It’s an unmarked grave, I’ve heard, and
apparently they stuffed her into the cheapest casket they could find. I think
about the plunger, the needle – how it both gives and takes. Fights its way
into the epidermis, into life, into the heart, retracts, the blood mingled with
the chemical.
It both gives and receives, I think.
It leaves an impression, a residue, a scar. And if you look in the right places
you see the marks made above one’s veins. They remind you that life always
gives something, and death always takes – but what life gives I don’t know.
Maybe I am a hot shot writer after all. Maybe I am full of shit.
But fuck that. I tip the bottle back and drink deeply of it, sucking the sweet
beer down into my gut. Here’s to you,
baby doll, I think. Here’s to you,
Rose.

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