He looks out to the
crowd nervously and my head is one amongst many. He looks more nervous than
usual and I am worried – he’s been acting different of late: he’s taking less
water with his whiskey; he often doesn’t return my calls. God, I hope he sees
me – I hope he’s looking for me.
I remember when I was seventeen. After our first date, a
few days after, he’d invited me to one of his gigs. He was twenty-one, and I
was just about to turn eighteen. He looked out nervously at the thin crowd and
then smiled wryly, his coy smile with its strange confidence. And then he
started playing his guitar, playing for himself; merely for himself, that his
earnestness would manifest itself in the hearts of others. I knew that then,
and I suspected he knew I did.
By the time I was nineteen, we were married and I was
three months pregnant with our first child. He’d formed a small experimental
folk band, Goldacre; they played
whatever they wanted, and those listening seemed to understand where they were
coming from, and were having moderate success. On this cold January evening,
the snow riffling outside and caking the sidewalk in miniature white cliffs,
I’d just walked into the small bar and found myself immediately absorbed in a
small crowd of hipsters, beatniks, jazz freaks, and gin drinkers. The place had
a palpable buzz. I turned a corner and I could see them setting up. I stood
there, leaning on a wooden post, stroking my ever-swelling stomach, and he
looked up. When he knew it was me he gave a warm smile – he could transmit
across a room of hundreds only to me. All that night, he threw those coy,
mysterious smiles and I could imagine his fingers caressing my earlobes, his
soft hands stroking the small of my back as I lay looking out upon the bare
moon that pours itself through the window.
By the time I was thirty, we had four children – twelve,
eleven, seven, and three – and his band (he was now in an experimental folk
rock band), Path Less Travelled, was
having bigger and bigger success. They would tour three to four months of the
year, hitting Seattle, Portland, Frisco, San Diego, Phoenix, Denver, Austin,
Atlantic City, New York, Chicago, Jacksonville, Detroit, Cleveland... I’d
occasionally go to his gigs, and he’d always await my arrival with trepidation,
scanning the room, the unease clearly writ across his brow, until his eyes met
mine. He sang with that same true voice, never wrote a song he thought others
would like to hear, and he’d always
underplay his talent, believing it to be a matter more of heart than head. Our
love had grown so strong through the years, and he’d still smile at me, his
darling, his virgin love, his first date – his only. Although he never
mentioned me by name, I knew that each song he wrote was written with me in
mind.
And now I am fifty-one. All of our children have graduated
college, our eldest has a two-year-old son of his own, and only my youngest,
most sensitive, son still lives at home. As I stand in this huge hall, its
walls resplendent in oak panelling and burgundy-red paint, tasteful bronze
chandeliers hanging from the ceiling, the varnish now gone, leaving the tarnish
of age, amongst hundreds of people, I can see him looking out nervously at the
crowd. I follow his eyes as they wander, as technicians come and go, expecting
them to fix on some elegant young thing in a black slip and heels, but he
continues looking around the huge space, seeming quietly frantic. I think of
the scotch, the phone calls, the strange aloofness, his implacability like one
stranded in some transparent capsule, but then the haze of creeping pain lifts,
and the sharp blue steel steadily increasing its pinch is shattered into a fine
calm shroud that descends slowly and silently onto me: his eyes have found
mine, and he is smiling. He turns to acknowledge a passing technician and then
turns back and finds me again. The smile above his greying tuft of beard is as
coy as ever, a bright curl of lip that seems to soothe and quiet my heart, and his eyes are like two soft
notes that ring up my spine, and, as he begins to play his guitar, I know that
everything is gonna be okay.
You may want to change 'stroking my ever-swelling stomach' as it sounds like it's swelling as she the band it starting up, which would be rather creepy. And also the ages of the children is missing a comma.
ReplyDeleteIt's a nice story, but that's pretty much all I've got to say about it. It's nice.